GIG GUIDE 2019 // SO FAR

GIG GUIDE 2019 // SO FAR

Hello hello hello!!

Hope you’re all well and good – today’s post is an attempt at the subtle brag. It’s not entirely subtle, but I’m sharing it as humbly as I possibly can. I’ve shared a Gig Guide before, if you’d like to check out my 2017 Gig Guide, you can find it HERE, and for the basic Gig Guide for 2019, which has changed a little bit, you can find that HERE, but for the most updated version of what’s happening with me gig wise in 2019, keep on reading!

Why suddenly share another Gig Guide post when the year is only half way done, you ask? Because today, I bought tickets to four different gigs. In one day. Define; insanity. Also, define; impulse spending. That said, I’m insanely excited for literally all the gigs I’ve got lined up so far.

So let’s get into it!! Any gigs with applicable posts will be linked, I highly suggest you check them out!

FEBRUARY

LANEWAY FESTIVAL
Honestly, 2019 started amazingly. I started the year at Falls Festival, which you should definitely check out HERE, and by February, I was ready to keep the momentum going, which came in the form of Laneway Festival. Laneway was a fantastic festival, with a stellar lineup, and despite a rocky start to the day I had a fantastic time. I saw some amazing acts like Masego, Rex Orange County and DJDS, and had heaps of fun with my gal pals taking photos, hanging out and chatting and listening to amazing music.

LAURYN HILL
Lauryn Hill. The queen. She’s one of my favourite musicians ever, so getting to see her live, especially now, was a once in a lifetime opportunity – that said…I’ve seen her twice??? She was amazing, and it was a masterclass in musicality.

MARCH

JOHN MAYER
John Mayer, may just be God’s gift to the world. I say this about a lot of people, but I mean it this time. I mention in my recap of the concert, but he’s one of those artists who’s just been there forever, if you know what I mean? There are so many songs we love by John Mayer, but never think about until you hear them. Not only is he a musical genius, but he’s truly been a huge part of my life in terms of his songs, his artistry and his talent.

APRIL

MATT CORBY
Again, a magical, magical man. This was one of the most beautiful live shows ever. He was so humble and gentle when speaking but put so much passion and power into his songs. I was completely still for majority of this concert, just in awe of the musician on stage.

BLUESFEST
I promise, a BluesFest post is coming. I’ve said it a million times, but it’s one of the heftiest posts to do, which I learned last year, but I promise it’ll come up eventually. BluesFest was so amazing, this year was definitely better than last year for several reasons, but there were some incredible acts for 2019. People like Hozier, Ocean Alley, Allen Stone, they were all such class acts, and I’m so glad I got to see them.

MAY

G FLIP
What. A. Cutie. G Flip put on such a great show, with the perfect balance of energy and vulnerability between all her songs, many of which were unreleased. The energy of the show was fantastic and I thoroughly enjoyed myself.

LAUREL
I got the chance to see LAUREL through my university placement, at a magazine where I reviewed the gig. She has one of the most beautiful voices I’ve ever heard and it was a great opportunity to see her live. She didn’t disappoint and I’m still obsessing over her music.

THE FORECAST – AS OF TODAY (12/06/19)

So there are quite a few shows I have lined up for the rest of the year, since I haven’t been to them yet, I won’t really expand on them – but definitely keep an eye out for the posts when I do go.

JUNE

KIM CHURCHILL

JULY

ELIOTT
KAIIT
CHILDISH GAMBINO

SEPTEMBER

JULIA MICHAELS
BRUNO MAJOR

OCTOBER

SHAWN MENDES

NOVEMBER

JON BELLION
SPILT MILK FESTIVAL

So there you have it! I’m clearly super excited about the music I’m experiencing this year – I honestly doubt the list will stop here, you’ll probably end up seeing a few more gig reviews than predicted as of now, but that just means more content for you!!

Hope you enjoyed this post, let me know what your favourite gig of the year so far has been! I’d love to know what everyone else is heading to!!

x

Priya

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G Flip // Live

G Flip // Live

Hello hello hello!! Welcome back, hopefully it hasn’t been too long.

Today’s post is yet another concert review and wrap-up.

Quite a little while ago, I shared two posts in particular; Kick Ass Females and Australian Music from Australian Artists. Both these posts featured one of the most prominent up-and-coming artists (in my opinion) at the moment, G Flip. She’s actually quite local to the area I live in, a bunch of people know her around here, and she’s become a bit of a hero.

If you’re not entirely sure who I’m talking about, G Flip is a kick-ass, 5-foot-something drummer (thought humbly also a multi-instrumentalist) and singer who’s first released single, About You kicked off on Triple J Unearthed a mere four hours after it was uploaded. Since then her trajectory has been on a steady incline and she returned to Melbourne for two shows at The Corner Hotel.

I invited my close friend and drummer James to join me for the gig, and we were both super excited for what we were sure was to be a great show.

We got inside the venue about ten or so minutes before G Flip came out and revelled at how packed it was. Her sold-out show just about filled the venue, and everyone was super eager for the set to begin.

When she finally came out, the crowd lost it.

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If there’s one thing I noticed throughout the show, was that although the lead singer, supported by a two-man band on stage, whenever she stepped behind the drums, her singing wasn’t impacted in the slightest, and vice-verse. She was able to walk the line of each instrument and performance perfectly, delivering a high-intensity show that had everyone screaming and singing along.

G Flip performed a bunch of her well know songs, About YouKilling My Time (personal favourite) and Bring Me Home, as well as newer releases like I Am Not Afraid and Drink Too Much which genuinely blew the lid of the place, as well as a handful of unreleased songs and one of the best covers of Proud Mary I have ever got the privilege of hearing live.

Stupid was an unreleased track I’m super excited about. It was a great song, a bit of tongue-in-cheek story-telling that hooked us all from the get go and unlike other artists I’ve watched live, I loved that G Flip actually took the time to explain some of her songs before performing them, giving us all some context and inviting her inside her a head little bit.

Drink Too Much was definitely a highlight for me. It was also clearly a crowd favourite. G Flip had a bit of a synchronised dance with her band mate and really played up to how cheeky and playful she is on stage, and the audience loved every moment of it.

As we left the gig, James mentioned something that really stuck with me and I agree with 100%. One of the best things about the show was how authentic and real G Flip was throughout the entire time. She allowed her personality to come through, she took moments in between songs to banter with the audience and let us into her life a little bit.

She shared stories about how her dad used to work at The Corner, how many artists she had lined up to see at the venue and how insane it was that she was now selling it out. She also delivered a very convincing argument for the support of Malteser gift-boxes, a few of which she threw out at the audience at the end of the show.

It was genuinely like watching a friend up on stage, joking around with everyone in the audience, doing a little jig in unison with her guitarist and laughing as she saw the crowd’s reactions to some of the tricks she pulled out of her bag.

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It was a very humble performance, authentic like I mentioned before and not in the slightest bit contrived or pretentious. It was a really great gig and I’m so glad I got to finally catch G Flip live.

x

Priya

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Matt Corby // Live

Matt Corby // Live

Wow, wow, wow, wow, wow.

Hello friends. Boy do I have a blog post for you. Albeit, incredibly, incredibly overdue, but exciting nonetheless.

On the 12th of April, I finally got to see Matt Corby live. If you’ve been here for a little while, you know that I could go on, and on and on about Matt Corby and the insane amount of talent in that one person.

Due to the absolute shambles that was Melbourne public transport during the weeks before and around the day of the concert, my friend James and I met on the train, which took us a few stations forward, before boarding a replacement bus for about 40 minutes into the city.

Once we were there, we scouted a place for dinner, settling on The Duke, a popular restaurant, rooftop wine bar and pub opposite Federation Square, and spent the forty-five minutes before the concert talking and preparing for the man himself.

Following dinner, we made our way to Margaret Court Arena, only a fifteen minute walk from The Duke, and with a quick pit stop at the arena bar, were down in the mosh pit a few minutes later.

Matt’s set was electrifying, though at the same time it was one of the most serene performances I’ve ever seen. Whether that’s down to the nature of his songs and how authentically raw they all come across, or the overall presence he has while on stage, I don’t know, all I do know is that I spent majority of the concert just standing there staring at him in total awe, with James periodically checking in with my to see if I was okay.

I wasn’t.

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He played some of the fan favourites quite early, like one of his recent releases No Ordinary Life, All Fired Up, Sooth Lady Wine and Brother, and I was pleasantly shocked and surprised when he played Monday one of my absolute favourite songs from Corby.

One thing that struck was, despite how packed the mosh pit was, it wasn’t a rough, pushy crowd of people. Everyone was content with listening to his voice, the amazing band and backing vocals he had behind him, and catching a glimpse of him every now and then when you opened your eyes.

He moved around the stage pretty unassumingly. He was the epitome of humility, and I think that only really served to draw us all in even more.

Empires Attraction, Resolution and Souls A’Fire were the perfect songs to ‘wrap up’ the show, and it really kept the energy levels on a steady incline throughout the entire set.

The final encore song was a tune everyone had been holding out for, one of his most popular songs from his latest album, Miracle Love.

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The song was so atmospheric and Matt controlled the audience like a conductor in an orchestra pit. There was a moment where he instructed all of us on what to sing, a percussive yet hauntingly beautiful line, ‘bring back that miracle love‘ and he ad-libbed over us.

There’s something incredibly guttural yet at the same time gentle and hypnotic about his voice. He has this great ability to switch between being really tender and soft but then completely ramp up to sing with all his power behind it. It’s one of my favourite things about Matt, and the songs he writes partner with his voice perfectly.

It was a really great concert. I have to be unbiased and admit that Matt isn’t entirely in my top five artists, or maybe even my top ten, but I knew passing up the opportunity to see him live was probably one I’d grow to regret, and I’m so glad I go to see him.

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If you ever get the chance to see him live, I highly recommend you do so. It’s an amazing mixture of complete humility partnered with an insane amount of talent that makes it a show worth watching.

x

Priya

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John Mayer // Live

John Mayer // Live

Hello friends and welcome to another post!

Today’s post is one I’m pretty excited to share and if you read my last Monthly Tunes which covered the month of March, you may have a small idea as to why that is!

March 27th marked the day I got to finally see John Mayer live.

I feel like John Mayer is one of those artists who’s just existed forever. He’s been making music and wow-ing audiences for that long, it seems like for me personally, there’s never been a time without him. Whether it’s old classics like Your Body Is A Wonderland and Waiting On The World To Change from when I was younger, to some of his blues-based stuff like Why Don’t You Come When I Call and Everyday I Have The Blues to his newest tunes like New Light and I Guess I Just Feel Like, he’s been making music that time and time again really just, gets me going.

So it’s fair to say I was pretty excited heading into the city on the Wednesday to meet up with my friend Daniel, who’s also the guitarist in our little duo we have going that I’ve mentioned here and there. We were both super keen for the concert and had been counting down the days ever since March arrived.

 

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Rod Laver Arena isn’t a massive arena in comparison to some of the other stadiums and performance grounds around Melbourne, but this definitely worked to our advantage. Even though we hadn’t forked out a ton of money to get onto the floor seats, we still had a pretty great view of the stage and subsequently, John. 

When the show started, it was a flurry of people screaming, grown men and hardcore John Mayer fan-boys finally surfacing and dropping their cool facades, and then there was Dan and I who when excited, tend to mix between laughing, screaming and hitting each other on the arm.

Watching John casually walk on stage made it all the more relaxed and insane and surreal, all at the same time.

As is evident from the setlist above, he played the bangers. He played the tastiest songs he possibly could, aside from some of his more bluesy songs I would have loved hearing, but I mean, we got to hear Gravity live, which not many other concerts got, so I can’t complain at all.

Hearing Love Is A Verb, Belief, and Born & Raised live, were also standouts for me, though I have to mention Isaiah Sharkey, who absolutely tore apart his guitar solo in Waiting On The World To Change. It was honestly one of the best moments of the concert and the entire arena simultaneously lost their mind, as did John who could only stare at him in awe the whole time.

 

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New Light brought the house down as expected, and John Mayer’s dad dancing complimented it perfectly. That said, the guy performs like he’s still 28. It was insane to watch. At one moment during the concert Dan leaned over and said to me, “At this point, it’s not even the question of if he’ll land the notes on the guitar, it’s just a given.” He went absolutely insane during Neon leaving us all just hanging on to every note he played, waiting for him to launch into the beloved intro, and when he finally did everyone went mad.

The people on either side of us probably got sick of the amount of times we just screamed at something crazy he did on the guitar, or when his backing singers solo’d and blew everyone away during the encore.

It was honestly insane. Such an amazing concert, John Mayer can put on a show.

x

Priya

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An Evening With Ms. Lauryn Hill // Live

Hello hello!

Today’s post is gonna be a rundown of one of my most anticipated concerts this year, Lauryn Hill’s 20th anniversary tour for The Miseducation of Lauryn Hill, one of the most iconic albums released ever in my opinion.

I spent most of the day of the concert listening to the album and a few other songs from Lauryn, before getting ready and heading into the city to meet my cousin at Flinder’s Street Station. It was getting pretty chilly so I was very grateful to have a jacket with me for the little walk we had around the city.

We decided to find something to eat for dinner before we headed to the concert, so stopped at The Oriental Teahouse, where we enjoyed some of the best fried rice, prawn and ginger dumplings and san choi bao I’ve ever had. We also had the cutest brewed ice teas in giant mason jars. It was a great dinner and a great way to start off the night.

Finishing up with dinner we jumped on the tram and made our way towards the Sidney Myer Music Bowl were the concert was being held.

It was already pretty busy by the time we got inside the grounds, but we still had plenty of time to head to the merchandise stand where I got the sickest t-shirt ever and my cousin got a really cute, high quality tote bag. Lauryn Hill did not mess around when it came to her merch. After a quick stop at the toilets before the show, we made our way down the hill and found a spot further up the back which gave us a great view of the Music Bowl as well as plenty of room to both sit down on the grass while waiting and stand up and have a boogie when the show started.

 

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Nas was the opening act and he did an incredible job of hyping everyone up, performing plenty of his older classics as well as his more recent songs. It was the perfect opener for Lauryn Hill, clearly, and he got the crowd hyped and ready for the main show.

There was a short DJ set following Nas, where plenty of old school RnB and hip hop songs were played, and then finally it was time for Lauryn Hill.

She sang so many classics man. Lost Ones, Forgive Them Father, Final Hour, Every Ghetto Every City, Superstar, even a cover of Frankie Vallie’s Can’t Take My Eyes Of You. She obviously sang Ex-Factor and I was really hoping she’d rap over Drake’s Nice For What which he samples the song in like I’d seen her do at a concert online, but sadly she didn’t.

She made up for it by singing To Zion though, just as I was reaching peak enjoyment, and I think everyone around my cousin and I could hear us singing (screaming) along. After The Miseducation of Lauryn Hill she got Nas onstage to perform If I Ruled The World which had everyone going mental. Lauryn fans and Nas fans all collectively lost control and screamed the entire song back to them.

 

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Watching her on stage, squinting to see her in the flesh or even watching her on the huge screens, was mesmerising. She was so in control over everything little thing that was happening on stage, and her band were incredible in keeping up with her, taking note of when she decided to improvise, pushing through when she asked more of them.

Throughout all of this year and most of last year, all the feedback I heard about Lauryn Hill and her show was that she was a huge diva. I’ll say this, definitely see how that could be the case. But, whoever is doing her sound system and backline should lift their game. There were a few sound issues towards the start and throughout the concert it was clear that Lauryn was trying to tell them she couldn’t hear herself or anything coming from the fold-back, regardless of how flawlessly she was performing. It was only by the last half of the set that everything slipped into place and settled, but for an artist such as Lauryn Hill, that should not have been an issue in the first place, so if she was being a diva? Damn right she should be a diva. Her messages throughout the concert of acceptance and love and social responsibility were spot on and got everyone cheering for her, so to be fair, I can handle her being a bit of a diva if it means she puts on the show that she did.

She really decided to end with a bang, performing Doo Wop (That Thing)  next, which kept the momentum going. By this point I don’t think anyone was left sitting down, my cousin and I and everyone around us were all up having a groove.

 

The final song she performed was Killing Me Softly and I swear I nearly started crying. It was such a great song, she performed beautifully and it blew all my expectations and memories of Blues Fest out of the water.

 

x

Priya

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BENE // Live

BENE // Live

Hello hello and welcome to another run down of a gig I probably shouldn’t have gone to because I’m trying to save money but went to anyway!!

Today’s blog is a pretty short little write-up from one of the fun-est, cutest concerts I’ve ever been to, one of my favourite singer’s over the past two years, Bene! If you haven’t caught it already, I’ve already written about the New Zealand singer before, and she’s featured in countless playlists, monthly tunes and Spotify wrap-ups, so I was understandably very excited when Jess and I booked ridiculously cheap tickets for her concert on the 15th of February.

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It was a great night to go out. I drove to Jess’ house and from there we go on the train, into the city. We were in no rush, considering we had a couple hours before she came on, so decided to find a nice place to eat dinner, ending up at The Duke, a great bar and restaurant we went to a while ago with Kate before we saw Gang Of Youths.

This time, we ventured upstairs to the dinning hall, where we enjoyed a great meal, but an even better, long over-due catch-up and chat. With half an hour before she got on stage, we left The Duke and hopped on a tram towards Fitzroy, which dropped us right outside The Workers Club where Bene was performing.

Before we got inside Jess got herself a drink and I snagged the second last T-shirt on sale at her small little merchandise table. With a quick glimpse of Bene coming out the doors and heading backstage, we scanned our tickets, got our hands stamped and headed inside.

It was definitely not as full as I thought it would be by the time we got there, but as we waited for her to get onstage, the room quickly filled up and packed out.

Finally, she got on stage and the show began.

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It was a really great gig. A really fun show. She walked the line of being really playful and childish, highlighting how young she is, but also switching on and singing some incredible unreleased songs with strong, powerful lyrics, before swapping back to her giggling and thanking everyone after every song.

She played Tough Guy, and it was probably one of my favorite’s purely because I knew it so well. Sadly she didn’t introduce all of her new songs so I had to guess a few of them, but I can’t wait for a song called Afterlife to be released, as well as Snake Charmer, which was one of the first songs she sang.

When she finally sang Soaked, which is the song that really kicked everything into gear for her here in Australia, everyone went mad. It was a fun audience, everyone was down for a boogie, no-one was pushing or being too aggressive to see her and get to the front, I mean a kid nudged his way to the front purely to give her flowers for Valentine’s Day and kiss her on the cheek. It was the purest thing I’ve ever seen and clearly made her night.

Her band were all really cool as well, all of them were super interesting to watch. Everyone on stage seemed infected by her playful personality, especially Tia her guitarist. It was a great display of a group of really talented young people up on stage, and I thoroughly enjoyed myself.

If you ever get the chance to see Bene live, I highly recommend it. For a great show (at a bargain price???) she’s definitely one to watch. You’re gonna see more of Bene, no doubt.

x

Priya

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Laneway Festival // 2019

Laneway has been running for approximately 15 years, and what was once a self-proclaimed ‘hole in the wall’ speakeasy, has transformed into one of the countries most beloved day festivals.

I’ve been keeping an eye out on the Laneway line-up ever since I first became aware it existed, and 2019 is finally the year I got to go.

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So on the 9th of February, I was up and getting myself ready in the morning, prepared to be at the station by 10:00, rain, hail or shine. It was rain, thank god, not hail. Not exactly shine the whole day, but there was definitely rain.

I met up with Jess, Kate and Kate’s younger brother on the train, and we rode into the city where we met up with my younger cousin and her group of friends who we were accompanying into the festival, and our favourite here at You Should Hear, Mia!

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It definitely wasn’t an act heavy day for us, we were quite selective with who we went and saw, rather making the most of the great food and drinks available, the covered areas to sit and have chat, do some people watching and commentary, take photos and generally enjoy the vibe of the festival. We managed to catch a bit of G Flip’s set as we walked in and wandered around the festival, and the sounds of Skeggs, Smino, Camp Cope, Mansionair and The Smith Street Band accompanied us throughout the day, as well as a few other of the artists who were playing at the festival.

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The first act we really saw was DJDS, a DJ duo from the US. Most of in the group had never heard of them before, but I can guarantee I probably enjoyed them the most. They played a great set, filled with amazing songs, some incredible remixes and they were one of the firsts artists from the festival I searched on Spotify when I came home.

After DJDS, it was straight to the stage right next to them to watch Masego, who was one of my most anticipated acts of the entire festival. Considering he started with Tadow, it was safe to say I went insane and had one of the best times of my life watching him play the sax, having a boogie myself, staring in awe as he pieced together songs bit by bit and play nearly every instrument up on stage.

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After Masego it was a bit of a break with some more drinks, and soon we found ourselves gearing up and joining the ever-growing mosh pit for the one and only Rex Orange County. Rex has continuously been mentioned here on You Should Hear, so I was super duper excited for this set, and I think my friends all gathered that from how much I screamed when he walked onto the stage. It was such a great set. He sang some of my favourite songs, as well as some songs I haven’t listened to half as much, as well as a beautiful cover of No-One by Alicia Keys which nearly had me sobbing as everyone sang along. It was phenomenal.

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Unfortunately, I had to be at a friend’s engagement party the same night as the festival, so I was out of there by 8:00 and changed into a fancy dress and heels half an hour later on the way to the engagement, but nonetheless, it was a fantastic day. The music was great, I had an amazing time with my friends, drinks weren’t super expensive like I had thought and the fried chicken was an absolute winner in my opinion. What more could you ask for?

x

Priya

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