Matt Corby // Live

Matt Corby // Live

Wow, wow, wow, wow, wow.

Hello friends. Boy do I have a blog post for you. Albeit, incredibly, incredibly overdue, but exciting nonetheless.

On the 12th of April, I finally got to see Matt Corby live. If you’ve been here for a little while, you know that I could go on, and on and on about Matt Corby and the insane amount of talent in that one person.

Due to the absolute shambles that was Melbourne public transport during the weeks before and around the day of the concert, my friend James and I met on the train, which took us a few stations forward, before boarding a replacement bus for about 40 minutes into the city.

Once we were there, we scouted a place for dinner, settling on The Duke, a popular restaurant, rooftop wine bar and pub opposite Federation Square, and spent the forty-five minutes before the concert talking and preparing for the man himself.

Following dinner, we made our way to Margaret Court Arena, only a fifteen minute walk from The Duke, and with a quick pit stop at the arena bar, were down in the mosh pit a few minutes later.

Matt’s set was electrifying, though at the same time it was one of the most serene performances I’ve ever seen. Whether that’s down to the nature of his songs and how authentically raw they all come across, or the overall presence he has while on stage, I don’t know, all I do know is that I spent majority of the concert just standing there staring at him in total awe, with James periodically checking in with my to see if I was okay.

I wasn’t.

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He played some of the fan favourites quite early, like one of his recent releases No Ordinary Life, All Fired Up, Sooth Lady Wine and Brother, and I was pleasantly shocked and surprised when he played Monday one of my absolute favourite songs from Corby.

One thing that struck was, despite how packed the mosh pit was, it wasn’t a rough, pushy crowd of people. Everyone was content with listening to his voice, the amazing band and backing vocals he had behind him, and catching a glimpse of him every now and then when you opened your eyes.

He moved around the stage pretty unassumingly. He was the epitome of humility, and I think that only really served to draw us all in even more.

Empires Attraction, Resolution and Souls A’Fire were the perfect songs to ‘wrap up’ the show, and it really kept the energy levels on a steady incline throughout the entire set.

The final encore song was a tune everyone had been holding out for, one of his most popular songs from his latest album, Miracle Love.

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The song was so atmospheric and Matt controlled the audience like a conductor in an orchestra pit. There was a moment where he instructed all of us on what to sing, a percussive yet hauntingly beautiful line, ‘bring back that miracle love‘ and he ad-libbed over us.

There’s something incredibly guttural yet at the same time gentle and hypnotic about his voice. He has this great ability to switch between being really tender and soft but then completely ramp up to sing with all his power behind it. It’s one of my favourite things about Matt, and the songs he writes partner with his voice perfectly.

It was a really great concert. I have to be unbiased and admit that Matt isn’t entirely in my top five artists, or maybe even my top ten, but I knew passing up the opportunity to see him live was probably one I’d grow to regret, and I’m so glad I go to see him.

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If you ever get the chance to see him live, I highly recommend you do so. It’s an amazing mixture of complete humility partnered with an insane amount of talent that makes it a show worth watching.

x

Priya

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John Mayer // Live

John Mayer // Live

Hello friends and welcome to another post!

Today’s post is one I’m pretty excited to share and if you read my last Monthly Tunes which covered the month of March, you may have a small idea as to why that is!

March 27th marked the day I got to finally see John Mayer live.

I feel like John Mayer is one of those artists who’s just existed forever. He’s been making music and wow-ing audiences for that long, it seems like for me personally, there’s never been a time without him. Whether it’s old classics like Your Body Is A Wonderland and Waiting On The World To Change from when I was younger, to some of his blues-based stuff like Why Don’t You Come When I Call and Everyday I Have The Blues to his newest tunes like New Light and I Guess I Just Feel Like, he’s been making music that time and time again really just, gets me going.

So it’s fair to say I was pretty excited heading into the city on the Wednesday to meet up with my friend Daniel, who’s also the guitarist in our little duo we have going that I’ve mentioned here and there. We were both super keen for the concert and had been counting down the days ever since March arrived.

 

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Rod Laver Arena isn’t a massive arena in comparison to some of the other stadiums and performance grounds around Melbourne, but this definitely worked to our advantage. Even though we hadn’t forked out a ton of money to get onto the floor seats, we still had a pretty great view of the stage and subsequently, John. 

When the show started, it was a flurry of people screaming, grown men and hardcore John Mayer fan-boys finally surfacing and dropping their cool facades, and then there was Dan and I who when excited, tend to mix between laughing, screaming and hitting each other on the arm.

Watching John casually walk on stage made it all the more relaxed and insane and surreal, all at the same time.

As is evident from the setlist above, he played the bangers. He played the tastiest songs he possibly could, aside from some of his more bluesy songs I would have loved hearing, but I mean, we got to hear Gravity live, which not many other concerts got, so I can’t complain at all.

Hearing Love Is A Verb, Belief, and Born & Raised live, were also standouts for me, though I have to mention Isaiah Sharkey, who absolutely tore apart his guitar solo in Waiting On The World To Change. It was honestly one of the best moments of the concert and the entire arena simultaneously lost their mind, as did John who could only stare at him in awe the whole time.

 

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New Light brought the house down as expected, and John Mayer’s dad dancing complimented it perfectly. That said, the guy performs like he’s still 28. It was insane to watch. At one moment during the concert Dan leaned over and said to me, “At this point, it’s not even the question of if he’ll land the notes on the guitar, it’s just a given.” He went absolutely insane during Neon leaving us all just hanging on to every note he played, waiting for him to launch into the beloved intro, and when he finally did everyone went mad.

The people on either side of us probably got sick of the amount of times we just screamed at something crazy he did on the guitar, or when his backing singers solo’d and blew everyone away during the encore.

It was honestly insane. Such an amazing concert, John Mayer can put on a show.

x

Priya

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An Evening With Ms. Lauryn Hill // Live

Hello hello!

Today’s post is gonna be a rundown of one of my most anticipated concerts this year, Lauryn Hill’s 20th anniversary tour for The Miseducation of Lauryn Hill, one of the most iconic albums released ever in my opinion.

I spent most of the day of the concert listening to the album and a few other songs from Lauryn, before getting ready and heading into the city to meet my cousin at Flinder’s Street Station. It was getting pretty chilly so I was very grateful to have a jacket with me for the little walk we had around the city.

We decided to find something to eat for dinner before we headed to the concert, so stopped at The Oriental Teahouse, where we enjoyed some of the best fried rice, prawn and ginger dumplings and san choi bao I’ve ever had. We also had the cutest brewed ice teas in giant mason jars. It was a great dinner and a great way to start off the night.

Finishing up with dinner we jumped on the tram and made our way towards the Sidney Myer Music Bowl were the concert was being held.

It was already pretty busy by the time we got inside the grounds, but we still had plenty of time to head to the merchandise stand where I got the sickest t-shirt ever and my cousin got a really cute, high quality tote bag. Lauryn Hill did not mess around when it came to her merch. After a quick stop at the toilets before the show, we made our way down the hill and found a spot further up the back which gave us a great view of the Music Bowl as well as plenty of room to both sit down on the grass while waiting and stand up and have a boogie when the show started.

 

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Nas was the opening act and he did an incredible job of hyping everyone up, performing plenty of his older classics as well as his more recent songs. It was the perfect opener for Lauryn Hill, clearly, and he got the crowd hyped and ready for the main show.

There was a short DJ set following Nas, where plenty of old school RnB and hip hop songs were played, and then finally it was time for Lauryn Hill.

She sang so many classics man. Lost Ones, Forgive Them Father, Final Hour, Every Ghetto Every City, Superstar, even a cover of Frankie Vallie’s Can’t Take My Eyes Of You. She obviously sang Ex-Factor and I was really hoping she’d rap over Drake’s Nice For What which he samples the song in like I’d seen her do at a concert online, but sadly she didn’t.

She made up for it by singing To Zion though, just as I was reaching peak enjoyment, and I think everyone around my cousin and I could hear us singing (screaming) along. After The Miseducation of Lauryn Hill she got Nas onstage to perform If I Ruled The World which had everyone going mental. Lauryn fans and Nas fans all collectively lost control and screamed the entire song back to them.

 

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Watching her on stage, squinting to see her in the flesh or even watching her on the huge screens, was mesmerising. She was so in control over everything little thing that was happening on stage, and her band were incredible in keeping up with her, taking note of when she decided to improvise, pushing through when she asked more of them.

Throughout all of this year and most of last year, all the feedback I heard about Lauryn Hill and her show was that she was a huge diva. I’ll say this, definitely see how that could be the case. But, whoever is doing her sound system and backline should lift their game. There were a few sound issues towards the start and throughout the concert it was clear that Lauryn was trying to tell them she couldn’t hear herself or anything coming from the fold-back, regardless of how flawlessly she was performing. It was only by the last half of the set that everything slipped into place and settled, but for an artist such as Lauryn Hill, that should not have been an issue in the first place, so if she was being a diva? Damn right she should be a diva. Her messages throughout the concert of acceptance and love and social responsibility were spot on and got everyone cheering for her, so to be fair, I can handle her being a bit of a diva if it means she puts on the show that she did.

She really decided to end with a bang, performing Doo Wop (That Thing)  next, which kept the momentum going. By this point I don’t think anyone was left sitting down, my cousin and I and everyone around us were all up having a groove.

 

The final song she performed was Killing Me Softly and I swear I nearly started crying. It was such a great song, she performed beautifully and it blew all my expectations and memories of Blues Fest out of the water.

 

x

Priya

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BENE // Live

BENE // Live

Hello hello and welcome to another run down of a gig I probably shouldn’t have gone to because I’m trying to save money but went to anyway!!

Today’s blog is a pretty short little write-up from one of the fun-est, cutest concerts I’ve ever been to, one of my favourite singer’s over the past two years, Bene! If you haven’t caught it already, I’ve already written about the New Zealand singer before, and she’s featured in countless playlists, monthly tunes and Spotify wrap-ups, so I was understandably very excited when Jess and I booked ridiculously cheap tickets for her concert on the 15th of February.

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It was a great night to go out. I drove to Jess’ house and from there we go on the train, into the city. We were in no rush, considering we had a couple hours before she came on, so decided to find a nice place to eat dinner, ending up at The Duke, a great bar and restaurant we went to a while ago with Kate before we saw Gang Of Youths.

This time, we ventured upstairs to the dinning hall, where we enjoyed a great meal, but an even better, long over-due catch-up and chat. With half an hour before she got on stage, we left The Duke and hopped on a tram towards Fitzroy, which dropped us right outside The Workers Club where Bene was performing.

Before we got inside Jess got herself a drink and I snagged the second last T-shirt on sale at her small little merchandise table. With a quick glimpse of Bene coming out the doors and heading backstage, we scanned our tickets, got our hands stamped and headed inside.

It was definitely not as full as I thought it would be by the time we got there, but as we waited for her to get onstage, the room quickly filled up and packed out.

Finally, she got on stage and the show began.

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It was a really great gig. A really fun show. She walked the line of being really playful and childish, highlighting how young she is, but also switching on and singing some incredible unreleased songs with strong, powerful lyrics, before swapping back to her giggling and thanking everyone after every song.

She played Tough Guy, and it was probably one of my favorite’s purely because I knew it so well. Sadly she didn’t introduce all of her new songs so I had to guess a few of them, but I can’t wait for a song called Afterlife to be released, as well as Snake Charmer, which was one of the first songs she sang.

When she finally sang Soaked, which is the song that really kicked everything into gear for her here in Australia, everyone went mad. It was a fun audience, everyone was down for a boogie, no-one was pushing or being too aggressive to see her and get to the front, I mean a kid nudged his way to the front purely to give her flowers for Valentine’s Day and kiss her on the cheek. It was the purest thing I’ve ever seen and clearly made her night.

Her band were all really cool as well, all of them were super interesting to watch. Everyone on stage seemed infected by her playful personality, especially Tia her guitarist. It was a great display of a group of really talented young people up on stage, and I thoroughly enjoyed myself.

If you ever get the chance to see Bene live, I highly recommend it. For a great show (at a bargain price???) she’s definitely one to watch. You’re gonna see more of Bene, no doubt.

x

Priya

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Laneway Festival // 2019

Laneway has been running for approximately 15 years, and what was once a self-proclaimed ‘hole in the wall’ speakeasy, has transformed into one of the countries most beloved day festivals.

I’ve been keeping an eye out on the Laneway line-up ever since I first became aware it existed, and 2019 is finally the year I got to go.

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So on the 9th of February, I was up and getting myself ready in the morning, prepared to be at the station by 10:00, rain, hail or shine. It was rain, thank god, not hail. Not exactly shine the whole day, but there was definitely rain.

I met up with Jess, Kate and Kate’s younger brother on the train, and we rode into the city where we met up with my younger cousin and her group of friends who we were accompanying into the festival, and our favourite here at You Should Hear, Mia!

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It definitely wasn’t an act heavy day for us, we were quite selective with who we went and saw, rather making the most of the great food and drinks available, the covered areas to sit and have chat, do some people watching and commentary, take photos and generally enjoy the vibe of the festival. We managed to catch a bit of G Flip’s set as we walked in and wandered around the festival, and the sounds of Skeggs, Smino, Camp Cope, Mansionair and The Smith Street Band accompanied us throughout the day, as well as a few other of the artists who were playing at the festival.

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The first act we really saw was DJDS, a DJ duo from the US. Most of in the group had never heard of them before, but I can guarantee I probably enjoyed them the most. They played a great set, filled with amazing songs, some incredible remixes and they were one of the firsts artists from the festival I searched on Spotify when I came home.

After DJDS, it was straight to the stage right next to them to watch Masego, who was one of my most anticipated acts of the entire festival. Considering he started with Tadow, it was safe to say I went insane and had one of the best times of my life watching him play the sax, having a boogie myself, staring in awe as he pieced together songs bit by bit and play nearly every instrument up on stage.

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After Masego it was a bit of a break with some more drinks, and soon we found ourselves gearing up and joining the ever-growing mosh pit for the one and only Rex Orange County. Rex has continuously been mentioned here on You Should Hear, so I was super duper excited for this set, and I think my friends all gathered that from how much I screamed when he walked onto the stage. It was such a great set. He sang some of my favourite songs, as well as some songs I haven’t listened to half as much, as well as a beautiful cover of No-One by Alicia Keys which nearly had me sobbing as everyone sang along. It was phenomenal.

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Unfortunately, I had to be at a friend’s engagement party the same night as the festival, so I was out of there by 8:00 and changed into a fancy dress and heels half an hour later on the way to the engagement, but nonetheless, it was a fantastic day. The music was great, I had an amazing time with my friends, drinks weren’t super expensive like I had thought and the fried chicken was an absolute winner in my opinion. What more could you ask for?

x

Priya

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Gig Guide 2019 – SO FAR

Gig Guide 2019 – SO FAR

Hello, hello and welcome back to my humble abode.

At the date of writing this, it’s currently the 26th of January, and in celebration of yet again purchasing some more concert tickets, I thought I’d share with you my gig guide for 2019, so far.

For some reason, I failed to do a Gig Guide for 2018, so I’ll do a really quick dot-point rundown of the gigs, festivals and concerts I attended last year before I move on to this year.

  • The Kooks – January, 2018
  • Rudimental/Jakubi, Australia Open Live Stage – January, 2018
  • Let Go Fest – February, 2018
  • Billie Eilish – February, 2018
  • Jet – March, 2018
  • Bruno Mars – March, 2018
  • Ed Sheeran – March, 2018
  • Blues Fest – March/April, 2018
  • Harry Styles – April, 2018
  • Niall Horan – June, 2018
  • Gang Of Youths – November, 2018
  • RINI – November, 2018
  • Peninsula Showcase – December, 2018
  • Falls Festival – December/November, 2018

So 2018 shaped up to be a banging year for music and live gigs, concerts, stadium tours and festivals, and if I continue the way I’m currently going, 2019 looks like it’ll be much the same.

Here’s the Guide so far for 2019:

Laneway Festival – February
Besides the disappointing news that my queen Jorja Smith won’t be performing anymore (I mean, a clash with the Grammy’s is reason enough I guess), I’m still super keen for this festival. I’m going with a great group of gal pals who I love, and I mean when I’m seeing Rex Orange County, Masego, Cosmos Midnight, Crooked Colours, G Flip and Middle Kids, I can’t complain too much. I am however missing Gang Of Youths because I have to leave early, but still, stellar line-up for what I’m sure will be a fab day.

Lauryn Hill – February
If you know me, you know this is a huge one. Heck, you know she’s one of my top favourite artists of all time, she featured in a squad of five artists I drew and framed for my room, and I’ve been singing Killing Me Softly since I exited the womb. My cousin, who I basically grew up with and have been best friends with since birth and I are going as a kind of celebration for her 21st birthday, and I cannot wait. If you read my write-up for Blues Fest which I attended with my family last year, you’d know I’ve already seen Ms. Hill, but a whole concert dedicated to her? A whole few hours of just Lauryn? Yes please.

Bene – February
Again. If you’ve been around the blog for a little while, you’ll know how keen I am for this concert. Hopefully you’ve read my write-up all about Bene and what a cool chick she is. Heck, I was 100% prepared to go to the concert on my own, luckily my best friend Jess jumped at the chance to come with me when I asked her if she was down. Currently Bene only has two singles out, so I’m keen to see what else she performs at the show!

Kodaline – March
This was a moment for 14-year old Priya. There are so many songs by this band that I listened to throughout high-school, so when I saw they were coming to Melbourne, I quickly messaged Jess who is 90% of the time always down for a cheeky concert, and booked our tickets straight away.

John Mayer – March
I’M SO KEEN. As soon as even the whisper of a concert was mentioned, I was on it. My mate and I waited for tickets and I spent the most stressful twenty minutes of my life trying to secure some decent tickets. Getting the confirmation email that we had our seats was such a relief and I’ve been counting down since that moment. John Mayer live, what more could you ask for? Nothing. The answer is nothing.

Matt Corby – April
Another magical man I get to see and hear live this year, and again, I’m counting down. I’m going with two friends who I’ve never been to a concert with before so I’m excited to experience it with them. Again, if you’ve been around for a little while, you’ll understand my obsession with Matt Corby and his incredible voice. Stay posted for the blog post all about seeing this man in the flesh.

RINI – April
Literally the day after Matt Corby, one of my close friends and I are going and seeing RINI, a homegrown, Melbourne RnB artist who we saw only in November! I can’t wait to see him again, he’s released a few new songs, and I’m sure there’ll be some stuff coming out before this concert as well.

Blues Fest – April
I’m super duper keen for Blues Fest. Like more so than I was than last year. ALSO! I’d like to make a small announcement. A few months back, I wrote an short article about a band called Ocean Alley, and said this:

 


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Low and behold, guess who was added to the Blues Fest line-up earlier this month? Ocean Alley. But anyway. Besides Ocean Alley, they’re are a heap of artists who I love coming to the festival, like Norah flipping Jones, Tash Sultana, Six60, one of the first bands I ever wrote about here, Allen Stone, Jack Johnson, Snarky Puppy and heaps more. Plus, this time my family and I decided to book an apartment in Byron Bay rather than camp at the festival, so I’m keen to enjoy some beach time and wandering around Byron before heading into the festival for the day.

Shawn Mendes – April
Possibly the cutest concert I have booked this year. I’m going with my best friend Kate, my little sister, and my little sister’s best friend. I genuinely can’t wait to see Shawn live, his vocals and his lyrics are amazing, and there are so many songs off his latest album that are sure to be hits in an arena setting.

Falls Festival // A Year In The Making

Falls Festival // A Year In The Making

So December was decidedly one of the best endings I could have had to the year 2018. It was a great month filled with hanging out with friends and family, going out to celebrate birthdays and the big gear up towards what I had spent the last half of the year waiting for, Falls Festival.

If you read my wish-list post from a little while ago, you may recall that I was absolutely shattered when my best friend and I missed out on tickets last year to scalpers who basically bought up the bulk of all tickets. If you then read my updated wish list post, you’d know that this year we managed to snag five tickets for the festival, which takes place over New Year’s Eve, from the 28th of December to the 1st of January.

So the remaining months of 2018 were spent in wild anticipation. This was only made even better when one of our tickets opened up and your favourite blogging superwoman Mia, ended up joining our group of gals!

Three days of live music, camping with my best friends and a road trip that Mia and I had wished for since the start of the year that somehow manifested itself into existence? Yes please.

The drive to Lorne was beautiful. I’ve never done the drive myself before, I’ve always been a passenger with my family, but getting to drive down with Mia was great. We had great music playing and highly intellectual conversations about Bradley Cooper, Paul Rudd, Aquaman and other thought-provoking topics.

The car line to get into the festival was a lot better than I had expected and all our efforts of hiding alcohol in moisturiser bottles, setting spray bottles and Victoria Secret sprays went to waste when they waved our two cars through without a second glance.

One of the downers for the camping situation that wasn’t so much of a downer more so  huge nuisance, was the fact that we were the first car on our lineup for the hill, meaning we were right at the bottom of the hill, meaning our tent was on a noticeable tilt. As in it was a decent workout putting it up while staying upright, let along sleeping without sliding all the way down to the end of the tent. It was a great laugh if anything.

 

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After setting up our campsite and sorting our stuff out, we got to work getting ready for the rest of the day, which meant changing out of our T-shirts, into more festival appropriate outfits and using the mirrors in our cars to do our make-up.

Unfortunately we were only able to get three-day tickets, meaning we missed out on acts like Hockey Dad, Ocean Alley, Mallrat and Dizzee Rascal but the remaining acts on the three days we were there were all fantastic.

If you’re not into reading about all the details for each day, first of all, why? And second of all, I got you, with this minute long video I literally made the day we got back because of how much I loved the entire experience. Hopefully you like it, and hopefully it inspires you to keep reading because I would greatly appreciate it.

 

 

The first day was a shorter day considering a large bulk of the people at the concert came that day as well, but it was incredible. Okay, so I wasn’t completely down with 88 Rising and Rich Brian and the fact that they performed their last song, then came back and performed the same song as their encore, but Anderson .Paak more than made up for it. The mosh pits we found ourselves in throughout the entirety of the festival were some of the best I’ve ever been a part of and the energy throughout each day was fantastic.

 

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That night was, to put it lightly, a struggle. Sleeping on such a slant meant I was waking up every half an hour or so to shimmy my way back up the tent after sliding down to the bottom and on Sunday morning the rest of the girls shared my frustrations. However, we soldiered on, and after a lazy morning eating fruit, drinking Up-N-Go and chatting about the night before, we decided to get started with our day and get ready. It was a very relaxed morning/afternoon, having some drinks and chatting with the people around our tent, before making our way into the festival at 3:30 to see what was going on inside.

We got to see Ruel, who’s name you might recognise from a few of my playlist posts in the past, and right after him was Dermot Kennedy. Both were incredible acts and we managed to get quite close to the front, with only a few people in between us and the barrier.

 

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Honestly, I have to say that seeing Running Touch next was the highlight of the entire festival for me, with Anderson .Paak the day before being the only one who came close. Running Touch was one of my most listened to artists of 2018, and I was super ecstatic when I found out he was added to the lineup a few weeks before the festival started. To make a good set even better, as we walked into the tent about twenty minutes before he could start, my eyes zoned in on the practically empty barricade, with the perfect amount of space for the three of us who were still left together, and I basically sprinted from the back of the tent to snag the spot.

Runnin Touch’s set was incredible. It was so different, very intense and energetic, and I couldn’t take my eyes off him the whole time. As well as his stage presence, his bass player and drummer were superb, and matched his energy the entire time. I got some of my best photos and video footage from that set, but enough to still have my phone away for majority of the set and really enjoy the music, head-bang to some of his heavier stuff and have a boogie to all his dance tracks.

We decided to stick around for the next act in that particular tent, Cashmere Cat. I haven’t listened to a lot of his songs that aren’t on the radio, but his set was very energetic as well and he packed the tent completely.

From Cashmere Cat we left the tent to join the hoards of people filling the main Valley Stage grass area for Hilltop Hoods. Flight Facilities were next and we decided to move as close as we could to the front, but when that got a bit too much, I pulled us over to the side, near the speakers where we ended up finding a huge group of our friends as well as one of our friends from our group who had been split up from us earlier in the day. Flight Facilities were fantastic and a great set to have a dance to.

They were the perfect way to end the day, and we were very pleased as we made the short walk back to our tent. That night Jess and I made the decision to test out sleeping in the cars, so we split up and dragged our bedding into the cars for the night. Let me tell you. Much more comfortable. So good. 10/10 in comparison to the night before.

The next day was our last full day and we were keen to make the most of it. We got up a bit earlier to get our outfits and makeup on, have a few drinks and chat in front of our tent, and we were inside the festival by 1:30.

 

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We decided to have a fairly early lunch, and by 3:00 we were in front of the main stage, drinks in hand, ready to see Bishop Briggs. She was another one of the standout performances for me and I loved watching her set. After Bishop we split up and it was just Jess and I for a bit, so we decided to grab our final lunch for the festival, and sit down to enjoy Odette’s set, another singer you’ve probably heard me talking about it a bit on here.

After Odette, we caught up with a much larger group of friends for The Vaccines, before a short break back at the tents, after which we caught the end of Toto, making sure we were there for Africa and Rosanna of course. DMA’s were next up, and their set was fantastic, a set where we pushed ourselves a bit further into the moshpit.

 

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After DMA’s, we headed back to the tent to grab our jumpers as it was getting a bit colder, before returning to the festival grounds to get a good spot for Catfish and The Bottlemen, who were playing at midnight, right after CHVRCHES.

 

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Catfish and The Bottlemen were one of the most hyped up acts of the festival, and for good reason. They played an amazing set, counting down to the New Year with everyone in the middle of their set before welcoming 2019 with some new music that got everyone jumping and cheering. The mosh-pit was just like many of the others I’d been caught up in throughout the festival, welcoming, energetic and loud.

 

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After Catfish and The Bottlemen, Jess and I decided to hang around for Golden Features, a bit of a different style of artist compared to the others we had been hanging out to hear, but it was definitely an experience that we shared.

The entire festival was one of my favourite experiences of 2018, and an incredible way to end a very busy year.

Honestly, sign me up for next year already.

x

Priya

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