III by The Lumineers

III by The Lumineers

Hello friends.

I hope you’re all well and enjoying your weeks, as far into the week as you are whenever you’re reading this post.

Today I wanted to speak about an album that I wasn’t really sure I was going to enjoy when I first realised I had to listen to it. For that to make sense, I’ll have to share a little bit about what I’m doing with my life at the moment, and that’s contributing writing to arguably Melbourne’s most loved freely distributed music magazine, Beat. Feel free to have a Google and see if you can spot any of my writing!

Anyway, amongst reviewing concerts and interviewing an artist every now and then, one of the other things I get to do is listen to new albums and review them for the fortnightly album review section of the mag. I put my hand up to have a listen to the recent Lumineers album, III, and was lucky enough to get it.

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If you’ve read a few of my other posts or checked out any of my playlists, you’d know that I enjoy a couple of songs from the band, namely Sleep On The Floor, which I’ll forever and always be in love with, but I wasn’t sure what to expect.

That said, I was beautifully surprised, shocked, and incredibly moved. I nearly got emotional several times while listening through the album.

The album follows the story of a fictional family, the Sparks, and it depicts the struggle and evolution of this family having to live with a member fighting an addiction, and how that impacts the various members of the family. It’s a harrowing story and while it’s not a topic I’m incredibly close to personally, it made me really emotional.

There’s so much that I respect The Lumineers for, sonically, especially. Wesley Shultz has one of my favourite voices ever, and his vocal performance only amplifies the emotion and empathy behind all the lyrics in each song.

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They also tread the line of allowing the album to really live and become energetic in songs like Gloria and Leader of The Landslide. I love how some of the songs sit so gently in your chest, either gently strumming a guitar or a melody on the piano, while others really hit you in the gut, songs like Life In The City and Jimmy Sparks. I also really enjoyed listening to the different parts of the story and understanding the story of how the family unfolds. The entire record really allows you to build this cinematic movie within the music and a really clear story that can only really be put together once you’ve listened to the album in it’s entirety.

highly recommend you read the album review done by Atwood Magazine on each song, their meanings and the intricacy within the album, You can read that HERE.

This was such a beautiful album to listen to, it’s already been saved and playlisted on my Spotify. An absolute gem of a release.

x

Priya

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Back To Headphones

Back To Headphones

Hey friends.

Hope you’re all well! Today’s post is a bit of a throwback, to one of my more informational posts, which gave you the run-down on a bunch of different headphones options, over-ears, on-ears,  in ears, noise cancelling, wireless and non-wireless, the whole shebang. You can read it HERE.

Today’s post, is actually a review. I finally bit the bullet and got a new pair of headphones, wireless, thank God, and I’m loving them. Before writing my last headphones post, and up until the end of August, I’ve been using my Beat headphones which just plug straight into my laptop for whenever I’m working or listening to music at home, Audio Technica headphones for whenever I’m mixing or in the studio, and the stock-standard Apple headphones for daily use like riding on the train or around university.

Since writing that post, there’ve been countless new contenders in the market, and today’s post is about my latest purchase.

To fully understand the reasoning behind finally buying a pair of wireless headphones, and why I chose these ones specifically, let me tell you a story.

My favourite pair of running pants for the gym, ripped recently, (R.I.P), meaning I no longer have them with me. They were my favourite purely down to the fact that, not only were they the comfiest pants I had, but they also had pockets. Pockets.

So whenever I was doing exercises that required bending, lifting, or the use of both of my hands, it was just super convenient to put my phone in my pocket and get on with it. However, with the loss of those particular pants, I’m now constantly having to either tuck my phone into my pants waistband, the strap of my sports bra, or keep my hoodie on and put it in the pocket of that. It’s a huge third-world problem, I understand, but it started driving me nuts.

So, I decided that the loss of those pants and my wireless headphone-less life needed to be fixed, and when a sale popped up at JB Hi-Fi at the end of August, I was there.

The pair I settled on, after much deliberation and advice from the super helpful staff, was the Plantronics BackBeat FIT 500. These bad boys set me back $150, but for something I considered an investment that I’d be holding off on getting, I knew what I was getting myself into from the moment I got in the car to go to the shops. I got the Teal one, accidentally, but to be fair, I only wear black to the gym so it’ll be a nice pop of colour, I guess. I also made sure that whatever I got, was sweat resistant and made specifically for gym and exercise use in mind considering I really only ever plan on using these headphones.

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So what do I think of the headphones?

So far, so good! They don’t budge, which is something I was skeptical about. They’ve lasted throughout the running portion of my workouts, as well as a range of full body exercises that nearly kill me, but they keep up. They don’t feel sweaty or wet at all, and I’m able to walk around the entirety of my gym while my phone is in my bag and keep a consistent, strong sound.

The On Ear Controls are super handy for changing over songs and checking how much charge I have left, which has been more than enough battery since I’ve had them. It takes me a while to burn through the 18-hour battery life.

 

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The quality of the sound is pretty great. For on-ear headphones, they do the job perfectly, especially for a music snob like me who expects a lot from my headphones. My one issue is that you can kinda hear the music while they’re on my head, as my sister wasn’t afraid to tell me. I have my music kinda loud, and the fact that it can still be heard while the headphones are on my ears wasn’t great because I just feel obnoxious, but on the whole, that’s really the only thing I can fault with them and that’s me being picky!

I definitely sound like I’m affiliated with Plantronics, but I’m just being honest.

 

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But that’s today’s post!! I don’t think I’ve ever done a review here on the blog – fingers crossed there will be more coming soon! What pair of headphones are you currently using? Is there one you wanna try? Let me know in the comments!!

x

Priya

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Songs You Don’t Know But Should Pt. 15

Songs You Don’t Know But Should Pt. 15

Hello friends.

Hope you’ve all been well and enjoying some good music. Today’s post is an old favourite, a good old music dump.

I say this all the time but these posts are both the easiest and nicest posts to share with you all because they take little to no effort but the process is so enjoyable. What’s not to like about going through one of my favourite playlists and picking a few new, undiscovered gems to share with you all?

Here’s some songs you might not know, but definitely should!

tear myself apart – Tate McRae
What If – Amber Mark
On My Mind – SODA, Jesse Ravlen
Cigar – Tamino
Manufactured Love – Michael Blume
Mona Lisa – Valntn, Tray Haggerty, Peter Fenn
Maybe – Mae Muller
All The Snow Is Gone – Sniffle Party 
Love For Me – Empress Of
Friend – Molly Millington
Come My Way – JSPH
Eye for an Eye – SiDizen King, The Strike
Sorrows – BLESSED
EX – Ojikae
Chastain – Del Water Gap

x

Priya

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August Tunes

August Tunes

Hi everyone! I hope you’re all well and good.

Probably should preface this post by apologising for my severe lack of posts this month. It was a hectic one to say the least. There was a lot going on (gigs, university, my 21st, music production), and writing blog posts genuinely disappeared from my mind for a solid four weeks. That said, I hope you enjoyed my recap of the Childish Gambino concert, which you can read HERE if you missed it. 

Otherwise, let’s get into the music I was listening to during August!! It was another great month for music for me personally, I discovered a bunch of new tunes to add to my playlists, and rediscovered some old favourites. Let me know how you month turned out, I’d love to hear any recommendations!!

 

Movie – Tom Misch:  This song is hardly new, it’s been around for a little bit, but I’ve only just taken the time to genuinely listen to it and enjoy just how musically gifted Tom Misch is, not that it’s any surprise. I’ve featured his music here on the blog since the beginning of time, and he recently performed this song during his NPR Tiny Desk concert, and it was a treat. A great way to spend my Friday night. If you missed the Instagram story, check out my social media below so you can get onto it!

Crew – GoldLink, Brent Faiyaz, Shy Glizzy: This song was stumbled upon while I was on YouTube, the intro’s been used in a few people’s intro’s recently, and I’m not that mad at it. The rest of the song is definitely just as good, and it was a great asset to my latest playlist creation, velvet, which you can listen to HERE.

One Night Only – Sonder: This song is another incredibly smooth one. I feel like August was the month for really smooth, slow jams for me personally, and I’m so down for it. This song in particular was very random for me, I’ve never heard of Sonder, or this song before, and I’m slightly mad about it, especially considering Brent Faiyaz, one of my latest obsession, leads the group with his vocals. I don’t know where this song has been all my life, but I appreciate it being here now.

Indigo Night – Tamino: Tamino did an NPR Tiny Desk performance, which is how he appeared on my feed. There’s something so incredibly calming about watching him perform, as quite a few people in the comments mention, he’s got a bit of a Jeff Buckley vibe to him and I love it. I also love the little Arabic influences in his music, it makes it so different and unique. I’m only just diving into his catalogue, but this song has been included in several playlists.

Ride It – Regard: Look. I didn’t begin watching TikTok compilations for the art. It was ironic. I was trying to make fun of my sister. But here I am, a month later, stuck in an endless cycle of TikTok compilation videos on YouTube, and it doesn’t seem to be getting better. The shining like at the end of the tunnel though, is that sometimes, on some rare occasions, TikTok shares some great tunes, especially remixes, and this is definitely one of them. If you’ve been on TikTok or even meme Instagram in the last month, you’ll recognise this song.

Simmer – Mahalia, Burna Boy: Another absolute tune from Mahalia, but at this point, we aren’t really surprised. Burna Boy is a new one from me, but I’m seeing him pop up everywhere, see below for his song with angel gal Jorja Smith.

Be Honest – Jorja Smith, Burna Boy: As much as I love Jorja Smith, Simmer is definitely my favourite out of these two Burna Boy features, but that’s not to say this one isn’t fantastic too. I’m loving the groovier side to Jorja on this one, definitely a bit different compared to songs like Teenage Fantasy or Blue Lights, especially compared to Goodbyes, but I’m welcoming it with open arms, cos it suits her perfectly.

Indigo – Chris Brown: This is nothing new. It came out a little while ago, but August really gave me the time to get into it. Something about Chris Brown always gives me nostalgia for the year I turned 18, not long ago, only two years ago, and started going out with my friends. He’s still releasing really addictive tunes. Just a tune. That’s all I have to say.

Holding The Gun – Sabrina Claudio: I’m convinced the only thing flowing through Sabrina Claudio’s body is honey. She’s so bloody smooth. Her voice is genuinely like velvet, and I can’t get enough of it. This song is beautiful, and steadily becoming one of my favourite Sabrina songs.

Motivation – Normani: Yo. How did Fifth Harmony ever get by with this woman not leading the group?? I swear everyone on Twitter lost their minds when the music video dropped (it’s art), and I’ve never seen so many people online so ultimately united by one female artist. It was beautiful.

over and over – sky: I discovered this song while watching Volume 3 of ‘Dear White People’ – I have even more questions at the end of that volume than I did the first two – and I fell in love with. Again, just a slanky, smooth, old school RnB joint. It’s perfection.

Don’t Kill My Vibe – Sigrid: Not a new song by any means at all, but for some reason it popped into my head randomly, and I was stuck singing it around the house for an entire week. The chorus is just so energetic and wholesome, I really need to get around to listening to some more Sigrid.

Fool For You – Snoh Aalegra: I’ve been obsessing over this song ever since I randomly clicked it on Spotify. If you haven’t checked out my Spotify by now, a) why? and b) you should do that, check the links below, but it’s been added to a fair few of my playlists. It’s such a calming song, her voice and the guitar and how minimal it all is, and also may or may not feature in a lil cover I did of it on my Instagram…

 

 

The Wilhelm Scream – James Blake: I can’t for the life of me, remember where I heard this song, but it’s changed my life. I’m no stranger to James Blake and the genius that he is, but I’m shocked it’s taken me this long to hear this particular song. It’s so atmospheric and cinematic, I’d liken it to something like The Maze by Manchester Orchestra which featured in my July Tunes. This song is so bloody calming, despite how organic and dynamic it is, I can never listen to it just once.

Hazy – SODA, Yuto.: I’m Insta acquaintances with the brother’s who make up the Yuto. duo, and I have to say, this is my absolute favourite song that they’ve released. Easily. It’s right up my alley, and it’s made a SODA fan out of me.

Disco Yes – Tom Misch, Poppy Ajudha: Another Tom Misch song. Since watching his NPR Tiny Desk, August has indeed been the month of Misch. Clearly I don’t have an issue with it. This song is steadily becoming my favourite song he’s ever written, and I’m desperate for my band to get their hands on this. It’s such a good time, I don’t know how you couldn’t not smile listening to that bass line. Song of the month.

Movie Screen – Tommy Newport: I rediscovered this song while going through my playlist, songs you should probably hear on Spotify and I had to add it to my 365//2019 playlist. It’s so good. Tommy’s vocals, the bass line, the vibe.

Naked – Sedric Perry: Funny story with this one. I was at work, and had to venture to the other half of the store, when I overheard the first ten seconds of this song. I was disgusted in the best possible way and ran to the computer to find out what it was. Somehow, it was on a Pulp Fiction soundtrack by accident, because it was really the odd one out on the playlist, but God was looking out for me that day, because I am in love with this song. Stanky vocals and insane beats. Treat yourself.

 

 

That’s what I was listening to in August. It was a fun month of me, it usually always is – what were you listening to? Please feel free to share any discoveries or recommendations in the comments! I’d love to know what you guys were enjoying too!

x

Priya

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Still Lovin’ Mahalia

Hello friends and family, hope you’re all well.

Today’s post is going to be another artist spotlight. I haven’t done one in a hot minute, most of them have been interviews from up and coming artists, so it’s been a while since I just shared an artist I’ve been genuinely enjoying.

That said, here we are with precisely that, and if the title didn’t allude to it enough, I’m gonna be rambling about Mahalia.

As of recently, she’s announced that she’ll be releasing her debut album, LOVE AND COMPROMISE in September, so now we truly have something to look forward to.

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I first discovered Mahalia when she released Sober in 2017. It’s the slanky type of RnB that I just love, throws you right back to the 90s, and I instantly fell in love with her voice. The acoustic version came shortly after that, as well as the Jarreau Vandal remix, and I was obsessed.

The next song to really have me hooked was I Wish I Missed My Ex which she put out in 2018. The music video to date, is still one of the coolest ones I’ve seen.

 

It took me a little while to jump onto the Mahalia train straight away, and unfortunately, it was in this time that I attended Falls Festival, where Mahalia had a set. And I missed it. I can’t even remember what I saw instead of going to her set, but in short, I didn’t see her when I had the chance. Lesson learnt.

Since then, I’ve become obsessed with several of Mahalia’s songs. That’s OKSimmer which she released super recently, Do Not Disturb and one of my absolute favourites, Honeymoon. 

There’s something about Mahalia that violently throws me back to being a little kid and listening to artists like Ne-Yo, Brandy, Destiny’s Child, Usher, Alicia Keys and so many other incredible RnB artists from the 90s and early 2000s. However, she does so without compromising what makes her unique and so current today. All of her songs have ridiculously catchy hooks and melodies and the musicality in her records is always impressive, regardless of how subtle it may be.

Her EP, Seasons, which she released last year is a collection of five songs which I reckon were a great way to really introduce Mahalia to a brand new audience who were only just discovering her. The five songs are all so cohesive with each other, but have their own little things to celebrate, whether it’s the incredible chorus in Honeymoon, the simplistic structure yet impressive lyrical rhythm in That’s OK or the smooth jam that is Good Reason.

Most recently, her single Simmer, which features Burna Boy has been really stuck in my head, and it’s made for a great warm, summery tune to keep me going through the winter that’s been keeping us all hostage here in Melbourne. If you haven’t had a listen to it already, I can’t recommend it enough. Get around it.

I think everyone, especially fans of soul music and RnB like myself, should take the time to listen to the EP and definitely the album when it comes out, all the way through, back to back. I’m genuinely so excited for what Mahalia’s going to be sharing with this upcoming record, what she’s delivered so far has really hit it’s mark.

She’s a front-runner for 2019.

x

Priya

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July Tunes

July Tunes

Hello friends. Hope you’re all well.

I’m not going to bore you with all the blab about how phenomenal the month of July was for new music discoveries, so let’s just get into what I was listening to and loving this month.

Cherry Hill – Russ: So I feel like I’ve heard this song before finding it this month, but I rediscovered it in On My Block, the Netflix series I binged. I’ve also heard of Russ before, but I never ever got around to actually listening to much of his music, however I’ve found a favourite in this song.

Just Friends (Sunny) – Musiq Soulchild: This is a song I’ve been meaning to get around to for a long long time. My friend Daniel has constantly suggested we perform a cover of it and I finally remembered to listen to it earlier this month. This song is everything good about RnB, it’s 2000s RnB in a nutshell and I’ve been bumping this song all through July.

Overdue – Ojikae: I discovered Ojikae in my email Inbox, and I instantly fell in love with this song from the Melbourne sing. He has another tune, Ex, which I’ve also been loving. Like the previous song, it’s everything I love about RnB. Also, this boys vocals? Insanity.

Would I Lie To You – Charles & Eddie: This song came on the radio while I was in the car with my Dad and I instantly recognised the chorus as a sample that’s used in one of my favourite songs for the gym, Would I Lie To You, but a remixed version by John Gibbons. If you need something to pump you up, I recommend that version, but if you’re a stickler for the originals, the Charles & Eddie version is just as good in my opinion, if not, better.

Love For Me – Empress Of: I discovered this song by an artist I already loved while watching the Netflix original, Trinkets, and it was this one. I shamzaam’d it so quick, but I wasn’t surprised in the slightest when I saw who it was by. She always delivers really subtle bangers.

D’Evils – SiR: My cousin introduced me to this song while we were driving to a concert and I immediately requested she add it to my yearly playlist, 365 /// 2019. As I’m writing this I’m realising there’s a lot of incredible RnB in this months favourite tunes, and I’m not mad in the slightest. This song definitely falls under that category.

Come Together – The Beatles: This song. This song. This song has been the bane of my existence this month. I have a upcoming gig that would have been over and done with by the time this is posted, either that or currently going on, and this song got the vote from all three other members of the band. It’s a classic, a favourite. However. The lyrics are absolute gibberish. Nonsense. I’ve had the hardest time learning these lyrics and memorising the words, but fingers crossed I’ve got there.

Mind Playing Tricks On Me – Geto Boys: Another song from another Netflix series, this time from Hip Hop Evolution. Admittedly, I did watch the series in the wrong order, hence by Texas rap came up in the first episode, but I’m glad I got to find this song. It sounds like something I would have heard when I was super young, and I’ve loved playing this song in the car all month long.

Back To Life – Fergus James: I heard this song on the odd occasion I didn’t have my Spotify connected in my car and was listening to the radio, Triple J, of course. The chorus in this song is so energetic and powerful, and I immediately had to find it. This is me foreshadowing that Fergus James ends up at some festivals within the next few years, with this song being the crowd favourite. It’s perfect moshing material. Have a listen if you don’t believe me.

Talk It Out – Matt Corby, Tash Sultana: Oh lordy. Two of Australia’s finest exports on one track? It’s such a lush tune. Both Matt and Tash have really incredible performances and musical choices on their independent records, so to have them collaborate is insane. Everyone went insane when they posted a photo together, and it was only a matter of time before we had this funky as heck tune.

OG Luv Kush pt.2 – Kaiit: I finally, finally got to see Kaiit live, with my boys Dan and James from my band. It was such a great night, and this song was the perfect way to end it. Not only did she leave this tune for the encore, but she also strode back on stage to perform it by throwing out four joints into the crowd while smoking on her own. If you haven’t read my wrap-up of the concert, you can read that HERE.

Me Myself And I – De La Soul: Another song from Hip Hop Evolution. De La Soul have been around for a long, long time, and by default, I’m not stranger to their name considering their affiliation with A Tribe Called Quest and the rest of the Native Tongues gang, however I’d never ventured into listening to their music. My mistake. I will repent. This song, this song never fails to make me smile. Have a listen.

How You Feel – Swsh: So I found this song on one of my favourite YouTube channels, COLORS. Boy. This song made my jaw drop. I watched the video another three seperate times after I first listened, and I’ve been playing this song all month since the video was released. I’ve never heard of Swsh, but now that I have, I’ll definitely be keeping an eye out on them.

IV. sweatpants – Childish Gambino: I don’t think I can quantify how pumped I got when Gambino pulled this song out for his encore. Mia might be able to because she was there for me to grab onto when the intro came over the speakers at Rod Laver Arena, but she was just as amped as I was so she could be biased. This is the song that Mia and I jammed to and rapped together in the car on the way to Falls Festival last year, so we both lost our shit. Childish Gambino made all my dreams come true when he performed this.

Adore – gem: I have a special place in my heart for this beautiful song, because gem is my beautiful friend from university who I’ve shared the last three years with. Please got have a listen, she literally did everything on her own, and I’m so bloody proud.

Gonna Love Me – Teyanna Taylor: Teyanna, boy. She’s somehow another artist who I never really got around to listening to and I’m glad I finally did. I was compiling a playlist of smooth RnB, which you can listen to HERE, and this song came up as a recommendation and I’m very grateful it did.

Cocoon – Catfish and the Bottlemen: So I got to see Catfish in concert for the magazine I write for, and holy moly. These dudes put on such a show. I took one of my best friends Jess as my plus one, and it was such a throwback to Falls Festival again, and we were the last ones left from our group in the mosh for midnight on New Year’s Eve and these guys rang in 2019 for us.

Momma I Hit A Lick – 2 Chainz, Kendrick Lamar: I’ve been hearing this song everywhere, especially in a bunch of dance videos recently, and I made a mental note to listen to the full thing. I can’t say I’m a huge 2 Chainz fan, but I am a huge Kendrick Lamar fan, which automatically makes me a fan of this song. Such a hard-hitting song. Obviously I added it to my gym playlist. Perfection.

So that’s what I was listening to in July. I’m sure some of you made some amazing discoveries this month toolet me know in the comments!

x

Priya

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Kaiit Killed It // Live

Kaiit Killed It // Live

Hellooo friends, and welcome to another blog post.

Today’s post is gonna be a rundown of what was one of the most wholesome gigs I’ve ever attended. On the 12th of July, I got to see Kaiit, who I consider to be somewhat of a Melbourne legend.

She played at Max Watt’s theatre in the city, so it was another Friday night of meeting my friends, this time Dan and James who also play in a band with me, at the station and hopping on a train, then a replacement bus into the city. We got there considerably early, having our wrist stamped at around 8:15, so by the time we got into the venue it wasn’t too packed at all.

After a drink and a quick suss of the first opening act we decided to head back out into the city for something eat, with Subway making do, before returning to MW for Maya Hirasedo, the second opening act.

I’ve actually mentioned Maya on the blog before, so you can read that post HERE. She did a fantastic job of getting the vibes up and the place continued to fill up more and more as she performed.

Finally, it was time for Kaiit. While waiting for the boys to get another drink, I held the amazing spot we’d got on the steps above the pit that served as more of a moshing area compared to the rest of the space where the standing and dancing was a bit tamer. I also bumped into another friend who was making his way through, so him and his mate ended up joining us for the concert.

When it came time for Kaiit to come on stage, we were absolutely blessed to have her mum, come on stage and pay respects to traditional owners of the land, and throughout the performance there were elements of Indigenous and Polynesian culture which made my heart swell so much, it was such a beautiful and respectful display from such a beautiful artist.

Kaiit was phenomenal. Amazing. So, so, wholesome. She was constantly emphasising how grateful she was to have a sold out show in her hometown, and when she wasn’t saying it, it was coming through in her singing.

If you haven’t checked out her music, especially since you started reading this post – please do. Kaiit is so insanely talented, and if you’re someone who calls to artists like Lauryn Hill, Erykah Badu, Nai Palm, Jill Scott, Amy Winehouse, Kehlani or any female artist who sits in that pocket for inspiration or killer tunes, then you will 10/10 enjoy all of Kaiit’s music.

 

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There were definitely crowd favourites. 2000 n Somethin went off, despite how mellow and ambient it is. Everyone in the crowd, sang every single lyric. My pals and I literally stood up on the steps with our arms around each other screaming all the lyrics. Like I said, a wholesome, wholesome gig.

When she sang her latest single, Miss Shiney, there was this huge cheer from the audience, and it was such a beautiful song to highlight her band and their musicality, especially her backup singers, who had two of the most angelic voices I’ve ever heard.

 

 

Natural Woman was sung later in the show, and it was such a great vibe. One of my friends new the rap just as tightly as I did, and we had the best time vibing off each other and singing lyrics to the others in our group. This song is one of the smoothest songs Kaiit has ever released in my opinion, and it translated perfectly live. Smooth like honey.

Her encore, was definitely one of my favourite encores so far this year. She came out to the sounds of one of her most loved songs, OG Luv Kush pt.2, the perfect way to end the show. She literally floated on stage, joint in mouth, with four spares to throw into the audience, and everyone went absolutely mad.

Kaiit absolutely killed it. Her Melbourne show was the perfect display of what makes her such a loved artist not only here in the city, but all over the country and around the world. Even as we were walking back to Flinder’s Street station and on the bus/train ride home, all the three of us could talk about was how she smashed it.

She’s gonna be huge. I’m telling you. Pinky promise.

x

Priya

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